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8/31/24

In the Background, Making a Difference: The Seeburg 1000 in Spring 1967 America




In 1967, the United States was experiencing a period of significant cultural, social, and political change. The Vietnam War was in full swing, and the Civil Rights Movement was at its peak. Amid this tumultuous time, Americans sought solace and entertainment in various forms, including music. One of the most popular ways to enjoy music in public spaces was through the Seeburg 1000 background music system, which had been used since 1959.

When it first rolled out in 1959, the Seeburg 1000 was a groundbreaking innovation in the world of background music. It utilized special nine-inch vinyl records that played at 16 2/3 rpm, each with a two-inch center spindle hole. These records were designed to be played on a special record player that could hold up to twenty-five records and play both sides before moving on to the next record in the stack. This allowed for a continuous music cycle that could last an entire day without repetition- but given businesses did not often operate 24/7 in those days, it could take a couple business days before a given machine had cycled through all the records in the changer at any given point in time.

The Seeburg 1000's idea was to provide a vast library of music that could be used in various settings, such as restaurants, shopping malls, and factories. The records were issued on a subscription basis and were meant to be returned to Seeburg for destruction after they were rotated out. However, many of these records have survived and become collectors' items.

In 1967, the Seeburg 1000 was in its eighth year of operation and had become a staple in many public spaces across the United States, even with tape-based systems like 3M's 700 Cantata BGM system, which gave tape cartridges up to 24 hours in length- but keeping them up to date with current music trends meant operating having to buy new tapes, which did not come cheap. The records in each machine were initially rotated in sets of seven records quarterly- the idea being a record would be replaced every 15 months or so. In 1967, the number of active records per Seeburg 1000 unit was increased to twenty-eight, shortly around the time the replacement set featuring Basic BA-122 was used on April 1, 1967.

The Seeburg 1000 offered a variety of music libraries to suit different tastes and settings. The Mood series was designed for restaurants and upscale establishments and featured lush and posh music. The Basic series, which included Basic BA-122, was more upbeat and was primarily used in shopping malls and supermarkets. The Industrial series was created for factories and featured a diverse range of upbeat music.

In early 1967, pop culture was heavily influenced by the music of the time. The Beatles released their groundbreaking album "Sgt. Pepper's Lonely Hearts Club Band" in June, becoming one of the most influential albums ever. Other famous artists of the time included The Monkees, The Beach Boys, and The Doors, who released their self-titled debut album in January 1967.

Television also played a significant role in shaping pop culture in 1967. Popular shows included "The Andy Griffith Show," "Bonanza," and "The Beverly Hillbillies." In February 1967, "The Smothers Brothers Comedy Hour" debuted on CBS, which would become known for its satirical and often controversial humor that eventually got it canceled.

World Events and Their Impact on Average Americans

The Vietnam War was a significant concern for many Americans in 1967. In January, the United States began Operation Cedar Falls, a massive search and destroy mission aimed at eliminating Viet Cong forces in the Iron Triangle region of South Vietnam. The operation resulted in the destruction of numerous villages and the displacement of thousands of civilians.

The Civil Rights Movement also continued to be a significant issue in 1967. In April, Martin Luther King Jr. delivered his famous "Beyond Vietnam" speech, in which he criticized the United States government for its involvement in the Vietnam War and called for a "radical revolution of values" to address issues of poverty and racism.

In June 1967, the Six-Day War erupted between Israel and its Arab neighbors, resulting in a decisive Israeli victory and the occupation of the Sinai Peninsula, the Gaza Strip, the West Bank, and the Golan Heights. The war had significant implications for U.S. foreign policy in the Middle East and contributed to the growing tensions between the United States and the Soviet Union.

Everyday Life in Early 1967-

Despite the tumultuous events of the time, life for the average American in early 1967 was relatively stable. The economy was strong, with low unemployment and rising wages. Many Americans enjoyed a comfortable middle-class lifestyle, with access to modern conveniences such as televisions, refrigerators, and washing machines.

In terms of fashion, the miniskirt and bold colors and patterns had become a popular trend. Men's fashion was also evolving, with the rise of the "hippie" look, which included bell-bottom pants, tie-dye shirts, and long hair.

Food trends in 1967 included the increasing popularity of fast food chains such as McDonald's and Kentucky Fried Chicken. At the same time, there was a growing interest in healthy eating and natural foods, with the publication of books such as "Diet for a Small Planet" by Frances Moore Lappé.

 

This Seeburg 1000 record, Basic Background Music Library release BA-122, which was used starting April 1, 1967, provides a glimpse into the popular music of the time. The record featured a mix of classic standards and contemporary hits, reflecting the diverse musical tastes of the era.

Some of the notable tracks on Basic BA-122 include "Confused" by Dean Martin, "More Than You Know," and "My Old Flame." The record also featured songs from popular musicals of the time, such as "Gonna Build a Mountain" from "Stop the World - I Want To Get Off" and "I Enjoy Being A Girl" from "Flower Drum Song."

Other tracks on the record showcased the enduring popularity of classic American songwriters such as Hoagy Carmichael, whose tune "Skylark" was featured on the B-side of the record. The inclusion of the "Magnificent Seven" theme, played here by Raymond Lefevre's orchestra, highlights the growing influence of international music on American popular culture.

Conclusion

The Seeburg 1000 background music system and its records, such as Basic BA-122, provide a fascinating glimpse into Americans' popular culture and everyday life in early 1967. Despite the social and political upheavals of the time, music remained a constant source of comfort and entertainment for many people.

The diverse range of music featured on Basic BA-122 reflects the eclectic tastes of the era, from classic standards to contemporary hits from popular musicals. The Seeburg 1000 system was a technological marvel that revolutionized how people experienced background music in public spaces.

While the United States faced significant challenges in 1967, including the ongoing Vietnam War and the struggle for civil rights, the average American continued to enjoy a relatively stable and comfortable lifestyle. The Seeburg 1000 and its records provided a soundtrack to this era, offering a mix of nostalgia and modernity that captured the spirit of the times.

The music selections on Basic BA-122 would have been perceived by the average person in early 1967 as a comforting and familiar presence in their daily lives. The mix of classic standards and contemporary hits would have appealed to a wide range of listeners, providing a sense of continuity and normalcy during a time of significant social and political change.

For many Americans, the classic standards on the record, such as "More Than You Know," "My Old Flame," and "Moonlight Becomes You," would have evoked a sense of nostalgia and reminiscence. These songs, which had been popular in the 1930s and 1940s, would have been familiar to older generations and served as a reminder of a simpler time before the upheavals of the 1960s.

At the same time, the contemporary hits on the record, such as "Confused" by Dean Martin and songs from popular musicals like "Stop the World - I Want To Get Off" and "Flower Drum Song," would have appealed to younger listeners who were more attuned to the current trends in popular music. These songs would have provided a sense of excitement and modernity, reflecting the changing tastes and attitudes of the era.

The inclusion of songs from popular musicals on Basic BA-122 is particularly noteworthy, as it reflects the enduring popularity of musical theater in American culture. Musicals such as "Camelot," "Hans Christian Andersen," and "Call Me Madam" were beloved by audiences and had a significant impact on popular music. The presence of these songs on the record would have been a welcome addition for many listeners.

The instrumental tracks on the record, such as Raymond Lefevre's "Magnificent Seven" theme, would have provided a sense of cinematic grandeur and excitement. The growing popularity of international music in the United States during this time period is reflected in the inclusion of this track, which would have been recognizable to many listeners from the popular Western film of the same name.

For the average American listening to Basic BA-122 in early 1967, the record would have served as a backdrop to their daily lives, providing a sense of familiarity and comfort in public spaces such as shopping malls and restaurants. The music would have been a welcome distraction from the stresses and uncertainties of the time, offering a brief respite from the news of the Vietnam War and the ongoing struggle for civil rights.

At the same time, the diversity of the music on the record would have reflected American society's changing tastes and attitudes. The mix of old and new, traditional and modern, would have mirrored the broader cultural shifts in the United States during this period.

In many ways, the Seeburg 1000 and its records, such as Basic BA-122, served as a unifying force in American society during a time of great division and upheaval. The music on these records provided a common language and shared experience for people from all walks of life, regardless of their age, race, or political beliefs.

For the average American in early 1967, listening to Basic BA-122 on the Seeburg 1000 would have been a reminder of the enduring power of music to bring people together and provide comfort and joy in the face of adversity. The record's mix of classic standards and contemporary hits, along with its inclusion of popular musical theater songs and international instrumentals, would have reflected American society's diverse and changing tastes during this pivotal time in history.

In conclusion, the Seeburg 1000 background music system and its records, such as Basic BA-122, played a significant role in shaping the soundscape of American life in early 1967. The music on these records provided a sense of comfort, familiarity, and unity during a time of great social and political upheaval, offering a diverse mix of classic standards, contemporary hits, popular musical theater songs, and international instrumentals.

For the average American, listening to Basic BA-122 on the Seeburg 1000 would have been a reminder of the enduring power of music to bring people together and provide joy and solace in the face of adversity. The record's eclectic mix of genres and styles reflected American society's changing tastes and attitudes while serving as a unifying force transcending age, race, and political beliefs.

The Seeburg 1000 and its records, including Basic BA-122, stand as a testament to background music's important role in shaping the United States' cultural landscape in the 1960s. These records not only provided entertainment and comfort to countless Americans but also reflected the broader social and cultural shifts taking place during this pivotal time in history.

Sources:
  • "Sgt. Pepper's Lonely Hearts Club Band" release date - June 1967 (Source: The Beatles Bible, https://www.beatlesbible.com/1967/06/01/the-beatles-sgt-peppers-lonely-hearts-club-band-released/)
  • "The Smothers Brothers Comedy Hour" debut - February 1967 (Source: The Smothers Brothers Comedy Hour, https://en.wikipedia.org/wiki/The_Smothers_Brothers_Comedy_Hour)
  • Operation Cedar Falls - January 1967 (Source: Vietnam War Timeline, https://www.pbs.org/battlefieldvietnam/timeline/)
  • Martin Luther King Jr.'s "Beyond Vietnam" speech - April 1967 (Source: King Encyclopedia, https://kinginstitute.stanford.edu/encyclopedia/beyond-vietnam)
  • Six-Day War - June 1967 (Source: The Six-Day War, https://www.history.com/topics/middle-east/six-day-war)
  • "Diet for a Small Planet" publication - 1971 (Source: Frances Moore LappĂ©, https://en.wikipedia.org/wiki/Frances_Moore_Lapp%C3%A9)


8/15/24

Vinyl Nostalgia: Uncovering the Retro Charm of Bill St. Clair's 'Let's Be Frank' LP Album





   
Vinyl enthusiasts and thrift hunters gather around as we dive into the world of budget record labels, where hidden gems await in the grooves of forgotten albums. Today, let's talk about a peculiar find that echoes the charm of the iconic Frank Sinatra - "Let's Be Frank" by the velvety-voiced Bill St. Clair.

One can sense the retro allure from the cover art alone as St. Clair sits perched on a stool, smiling, his pose casual yet calculated, reminiscent of Ol' Blue Eyes himself. This album, part of the Promenade Artists Series, suggests a nod to an era where the likes of Sinatra reigned supreme.

On the back, a tale unfolds of hotel room discoveries and a voice that carries both warmth and potential. With tracks like "Witchcraft" and "The Lady is a Tramp," the influence is undeniable. Still, deep cuts like "None But the Lonely Heart" resonate with the soul of a budget collector - a tracklist that promises familiarity with a twist.

Bill St. Clair may not have had the household name recognition of Sinatra, but this is precisely the allure for the budget label lover. It's the thrill of finding someone who could've been a contender, a voice that deserved the spotlight, all nestled in a budget-friendly package.

For those who revel in the crackle and pop of vinyl, "Let's Be Frank" is a statement of musical identity. It's a reminder of the days when record labels took chances on voices that brought comfort to lonely hotel rooms and excitement to the airwaves.

So, to the collectors hunting for the next great spin, remember: sometimes, the true finds aren't just about the music; they're about the stories etched into the vinyl. And Bill St. Clair's album is a story worth discovering. Keep digging, keep playing, and let's be frank - the hunt is half the fun!


Promenade Records was a budget label under the SPC umbrella during the 1950s and 1960s. This album features songs that include tunes made famous by Frank Sinatra, with some public domain favorites to keep production costs down on what was likely an expensive album to produce.

Track List:
Side A:
A1- Witchcraft
A2- Bewitched
A3- Marie
A4- On The Road To Mandalay
A5- Nancy
A6- The Lady Is A Tramp
Side B:
B1- None But The Lonely Heart
B2- Little White Lies
B3- Beautiful Dreamer
B4- Black is the Color Of My True Love's Hair
B5- I'll Never Smile Again



8/1/24

Rediscovering Musical Gems Of The Early Great Depression: Exploring the Legacy of Hit Of The Week Records


Step into the world of vintage music and discover the hidden treasures of Hit Of The Week Records, a budget label that left an indelible mark on the music industry during the Great Depression. Despite its humble beginnings and eventual demise, the legacy of Hit Of The Week Records continues to resonate with music enthusiasts and collectors alike.

Founded during the early days of the Great Depression, Hit Of The Week Records captured the essence of an era characterized by economic hardship and cultural resilience. The innovative use of Durium, a flexible yet durable substance, allowed the label to produce one-sided records with a distinct dark brown cardboard backing. These unique records became emblematic of an era defined by creativity and resourcefulness.

Hit Of The Week Records enjoyed remarkable success at its peak, offering music lovers an affordable escape during challenging times. Artists such as Phil Spitalny's Music and Bert Lown & His Biltmore Music graced these one-of-a-kind records with their timeless melodies, providing a soundtrack for a generation grappling with uncertainty.

Tracks like "Confessin' That I Love You" by Phil Spitalny's Music and "Bye Bye Blues" by Bert Lown & His Biltmore Music transport listeners to a bygone era, evoking emotions of nostalgia and resilience. Each record served as a musical vignette, offering glimpses into the lives and experiences of individuals navigating the tumultuous landscape of the Great Depression.

However, the economic challenges of the era eventually took their toll on Hit Of The Week Records. As rival budget labels began offering two-sided records at a marginal price difference, Hit Of The Week struggled to compete in an increasingly saturated market. Despite efforts to adapt and innovate, the label ultimately succumbed to economic pressures, marking the end of an era.

Although Hit Of The Week Records ceased production, its legacy lives on through the enduring appeal of its music. Today, collectors and enthusiasts continue to cherish these vintage records, recognizing them as artifacts of a bygone era. The distinct sound and craftsmanship of Hit Of The Week Records serve as a testament to the resilience of creativity in the face of adversity.

As we reflect on the legacy of Hit Of The Week Records, let us celebrate the enduring power of music to transcend time and circumstance. Through its humble yet impactful contribution to the world of music, Hit Of The Week Records reminds us of the transformative power of art in even the most challenging times. So, take a moment to immerse yourself in the melodies of the past and rediscover the timeless magic of Hit Of The Week Records.

Tracklist:
  1. "Just A Little Closer" by Hit Of The Week Orchestra 
  2. "My Bluebird Was Caught In The Rain" by Hit Of The Week Orchestra. 
  3. "Confessin' That I Love You" by Phil Spitalny's Music 
  4. "If I Had A Girl Like You" by Phil Spitalny's Music 
  5. "Betty Co-Ed" by Phil Spitalny's Music 
  6. "Bye Bye Blues" by Bert Lown & His Biltmore Music